Interview with Joe Papagoda

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Interview with Joe Papagoda

Interview with Joe Papagoda 1

Today, we’re discovering together Artist Joe Papagoda who accepted to answer a few questions to get a better understanding of what he does.

Artist Joe Papagoda Interview


Please Joe Papagoda tell us a bit about what you do?

Hello,  I do a little bit of everything with my main focus being photography, and abstract painting. Writing, researching, designing, and sculpting are in the mix too.


How has your style changed over the years?

It’s remained largely consistent. Although, there’s a fine line between my photography, and the paintings.
My photography has a dark, atmospheric depth to it. My photos center heavily around self portraiture, and personal projects. There’s always interplay between the subject, the light, and the dark.
In contrast, my paintings tend to be the opposite. They’re bright, colorful, and usually involve a level of simplicity, while still evoking creative thought and vision in the viewer’s mind. When all these projects come together, they really become a documentation of my entire cosmogony. They’re everything I see and do. And I think they’ll be around for a long time.


Can you tell us a little bit about your painting series “Myths”?

Myths is a body of work which is modern, yet allegorical and timeless. Artwork based loosely on ancient legends that evoke an expressive power, without relying on figurative suggestions. They’re presented in form of color fields, which are boldly known for their strong primordial sense. This makes them the perfect basis for such a mythic art.


The Eos Crisis, from the series Myths, is an award-winning painting of yours. What do you see in that work?

This piece has two halves to it. Up above, is a dark cloud of red, while down below is a bleak yellow landscape. What I see is a clash between the heavens and the mortal world. It’s an allegory that could fit right into any mythological setting.


Tell us a bit about your “Unforeseeable” photographs.

Unforeseeable is a series of instant film photographs, presented in form of a polyptych. I actually wrote about it for the Impossible Project’s blog a while back. They involve high contrasts, self-portraits, long exposure, double exposure, and more to tell an ongoing story of conflict. It’s a real primordial sense of emotion to see here, and there’s more content coming soon.


Do you have a preferred medium?

When painting I do prefer acrylics. They’re incredibly versatile and can be manipulated to fit any need. There’s really no limit to acrylic paint.


When did art become a part of your life, how have you been influenced? Who are some of your favorite Artists?

I got into photography seriously in my later teens.  Me and a few friends used to photograph paintball teams at a local paintball business for fun. Later on I got into fine art, and documentary photography, becoming influenced by the works of Imogen Cunningham, David Douglas Duncan, and Francesca Woodman. In late 2013 I experimented with painting, started researching art history, and other artists of the 20th century. I’ve always enjoyed the styles and personas of Dali, Picasso, and Warhol. They call them geniuses for a reason. They were more than just painters. They knew how to make anything work in their favor. And that’s a fun thing to do.


What are you currently working on?

Currently, I’m focused on some new projects. I’m working on a photo project about pre-owned American flags. I’ve also been working with wire sculpture, and neo-expressionism works too, which is especially unique. Neo-expressionism is like handwriting. Everyone does it differently.


Where can our readers find out more about you?

They can visit my website, Joepapagoda, and find me on Instagram under the name Joe Papagoda. Search my name and you’re going to find me fast.



Thank you Joe Papagoda for this interview. If you have any question to ask him, don’t hesitate to let a comment below.


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